Week 2: Let the Fun Begin
All good symphonies have a theme. Some are more recognizable and in the forefront than others and some are more subtly interwoven. Symphonies are long stretches of music so the composer has to invent ways in which to add variation to the them in order to avoid their arch-nemesis, repetition. I worked on my first movement this week, and with the idea of developing a theme in mind I chose to do a Sonata-Allegro form, a format with which many symphonies start out with. A Sonata-Allegro is comprised of three sections designated A, B, and A once more. Each section is designated a responsibility: exposition, elaboration, and recapitulation respectively. It is a simple format yet incredibly open to the imagination of the composer. After wrapping up the prelude, I devised an emotion for each of the three movements I plan to write: disorientation, anger, and apotheosis. The first one, disorientation, will have both A sections pushing the music outside the boundaries of its key in D Minor...